B Praak Takes a Dig at Diljit Dosanjh Over ‘Sardaar Ji 3’ Casting: “Zameer Hee Bech Chuke”

Popular singer and music composer B Praak has stirred a social media storm with his sharp remark aimed at actor-singer Diljit Dosanjh over the casting of Pakistani actress Hania Aamir in Sardaar Ji 3. The comment, “Zameer hee bech chuke,” shared through his Instagram story, has triggered widespread reactions from fans and the Punjabi entertainment industry alike, reopening the conversation around cross-border collaborations in Indian cinema.

What Sparked the Controversy

The controversy took off after the announcement of Sardaar Ji 3 featuring Hania Aamir in a prominent role alongside Diljit. While many fans welcomed the collaboration, others questioned the timing and choice, given the ongoing sensitivities in India-Pakistan relations.

B Praak’s cryptic post—though not naming anyone directly—was widely interpreted as a jibe at Diljit for choosing a Pakistani artist over local talent, especially at a time when nationalist sentiment continues to influence entertainment decisions.

Industry Reactions and Public Divide

The comment has divided fans and insiders. Some supported B Praak, saying Indian artists should prioritise homegrown talent, especially when regional cinema is thriving. Others defended Diljit, calling art and music “beyond borders” and urging viewers to focus on content over country.

Actors and producers from the Punjabi film circuit have so far refrained from taking sides, but the buzz has undoubtedly amplified interest in the film. The conversation also reflects how artists walk a tightrope between creative freedom and public perception in today’s hyper-connected environment.

Impact in Tier 2 Cities and Among Regional Audiences

In cities like Ludhiana, Jalandhar, and Amritsar—where both Diljit and B Praak have massive fan bases—the issue has sparked intense debates on social media groups and local forums. Many regional viewers, while proud of Punjabi cinema going global, also express concern about the message sent by involving cross-border artists when Indian talent is abundant.

Cinema owners and local distributors note that while controversy may fuel short-term publicity, it can also influence ticket sales depending on the public mood closer to the release date.

What Lies Ahead for ‘Sardaar Ji 3’

Diljit Dosanjh has yet to respond directly to B Praak’s comment. However, the actor recently emphasized that the film is a creative effort by many and urged people to support the hard work of the entire team rather than focus on isolated issues.

The film is slated for release later this year, and despite the controversy, early buzz suggests it could still perform well at the box office—especially if the music and storytelling strike the right chord.

Conclusion

B Praak’s pointed criticism adds another layer of complexity to an already sensitive topic—artistic freedom versus national sentiment. As Sardaar Ji 3 inches closer to release, the spotlight remains not just on its cast but on how audiences, particularly in Punjab and Tier 2 cities, respond to cross-border choices. For now, the debate continues—balancing culture, creativity, and conscience in today’s cinema landscape.