Chetan Bhagat on Diljit Dosanjh–Hania Aamir Row: “Patriotism Doesn’t Need Hate”

Author Chetan Bhagat has weighed in on the ongoing debate surrounding Sardaar Ji 3, where actor Diljit Dosanjh is facing criticism for allegedly working with Pakistani actress Hania Aamir. Amid rising chatter around national sentiment and cross-border collaborations, Bhagat offered a more nuanced perspective, saying admiration and patriotism can co-exist without promoting hate.

The Controversy in Brief

The issue began when rumours surfaced about Pakistani actress Hania Aamir possibly being involved in Diljit’s upcoming film Sardaar Ji 3. Many online users expressed outrage, questioning why an Indian actor would collaborate with someone from across the border amid political tensions.

Social media reactions were swift and divided. While some supported the collaboration as a cultural exchange, others called it insensitive and unpatriotic.

Chetan Bhagat’s Take

Chetan Bhagat took to social media to share his thoughts, offering a calmer take. He acknowledged the public’s right to ask questions but emphasized that patriotism doesn’t need to be rooted in hate. “We don’t need to hate anyone to keep our country safe,” he stated, adding that one can admire an artist without agreeing with every choice they make.

His comments have resonated with many, especially among younger audiences in cities like Bhopal, Jaipur, and Lucknow, where readers follow both Bollywood and Bhagat’s views closely.

The Larger Conversation on Art and Borders

This incident has once again sparked debate on whether art should be separated from politics. In the past, Indian films and music have collaborated with talent from Pakistan, though such moves often invite public backlash during times of political tension.

Many industry voices argue that while national security and respect are non-negotiable, shutting down cultural bridges entirely may not be the best approach — especially when such collaborations are creative, not political.

Diljit’s Silence and Fan Loyalty

Diljit Dosanjh, known for his strong connection with his roots and large fanbase in Punjab and beyond, has so far remained silent on the issue. His fans continue to back him, citing his consistent representation of Sikh identity and Punjabi pride in mainstream media.

In smaller towns and cities, where his influence runs deep, there’s growing support for focusing on his work rather than assuming intent behind casting decisions.

Conclusion

As the Sardaar Ji 3 row unfolds, Chetan Bhagat’s statement adds an important voice to the conversation — one that promotes thought over outrage. For audiences across India, especially in Tier 2 cities where cinema and nationalism often intersect, the moment calls for reflection: can we stand for our nation without turning against people? The answer may shape more than just movie choices — it could define the tone of future cultural dialogue.

Sakshi Lade

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