Diljit Dosanjh’s Sardaar Ji 3 Opens to Houseful Shows in Pakistan, Ranks Among Top Punjabi Film Launches Globally

Diljit Dosanjh’s latest Punjabi film Sardaar Ji 3 is making headlines for more than just its domestic success. The movie has gone houseful in several Pakistani cities and has secured the third-best global opening ever for a Punjabi film. This cross-border appreciation of regional cinema is drawing attention across the entertainment industry.

Strong Global Reception
Sardaar Ji 3, the third instalment in the popular franchise, opened to packed theatres not just in India but also internationally. Pakistan, in particular, witnessed full-house screenings in cities like Lahore, Karachi, and Islamabad. The film’s blend of comedy, action, and Punjabi culture seems to have struck a chord with audiences on both sides of the border.

Film trade analysts report that the movie earned one of the highest opening weekend collections for a Punjabi-language film, trailing only behind a few other major releases.

Diljit’s Growing Global Appeal
Over the years, Diljit Dosanjh has built a loyal fan base beyond India, thanks to his music tours, social media presence, and consistent performances in both regional and mainstream films. His brand of family-friendly, culturally rich cinema has found a special place among Punjabi-speaking audiences globally, including in Canada, the UK, and now even more so in Pakistan.

For fans in Tier 2 Indian cities like Ludhiana, Amritsar, and Jalandhar, Diljit remains not just an entertainer but a symbol of Punjabi pride going global.

Cross-Border Cultural Connect
The film’s success in Pakistan is particularly noteworthy given the limited cultural exchanges between the two nations in recent years. Despite strained political relations, Sardaar Ji 3 becoming a hit reflects how cinema can still build bridges between people with shared language, traditions, and humour.

While the release wasn’t officially promoted in Pakistan, word-of-mouth and digital buzz played a major role in drawing crowds to theatres.

Implications for Regional Indian Cinema
The strong opening of Sardaar Ji 3 globally is also a big moment for Punjabi cinema. It shows that with the right mix of entertainment and cultural flavour, regional films can break out of language barriers and appeal to a wider audience.

This could inspire filmmakers in other regional languages—like Marathi, Bengali, and Bhojpuri—to think more globally while staying rooted in local storytelling.

Conclusion
The box office success of Sardaar Ji 3, especially its houseful run in Pakistan, highlights the universal appeal of authentic storytelling. For fans and filmmakers in India’s Tier 2 cities, this success story proves that regional cinema has the power to cross borders and connect people—without needing to change its identity.